Regency Hot Spots: Birmingham Theatre

Opposite the Post Office is the truly elegant front of the THEATRE whose architect was we believe Harrison of Chester The front consists of a massy piazza and a light colonnade over it with wings tastefully displayed In the upper compartments are well executed medallions of Shakspeare and Garrick the fathers of the Drama and the Stage of this country Dramatic exhibitions are not of ancient standing in Birmingham During the first quarter of the last century they were conducted by strolling companies who occupied temporary sheds or booths in various situations In 1730 a stablelike building was fitted up for the purpose in Castlestreet ten years after the first regular Theatre was erected in Noor street and in 1750 a rival company established another in King street Two Theatres
however as might be expected were too many for the young growth of Birmingham taste and the first erected was let to a religious society In 1774 a third on a far superior scale of accommodation and elegance was erected in New street and the Kingstreet Theatre as has been observed shared the fate of that in Moor street it was converted into a place of Worship The new edifice received its completion in the erection of the light and appropriate front which now engages our attention This Theatre has been twice destroyed by fire the first in 1792 after which it was rebuilt on an enlarged scale in the space of four years and lastly on the 6th of January 1820 but by incredible exertion it was rebuilt and opened for the reception of the public in September the same year In both instances the front was happily úninjured The present may safely be termed one of the most superb Theatres out of the Metropolis Its receipts when well filled amount to about 260 The management has been for several years ably conducted by Mr Bunn the efforts of whose regular companies assisted as they have been by Metropolitan performers have deserved better success than has generally rewarded them Attached to the Theatre are extensive premises intended for a Hotel or Tavern having a spacious assembly room billiard room coffee room & c under the style and title of the SHAKSPEARE TAVERN From some cause however it has never been supported in that capacity and the apartments are now with the exception of the billiard room pretty constantly let to exhibitors of various descriptions Lecturers Auctioneers & c The Picture of Birmingham (1825)

There is a complicated political history from the Georgian era that meant drama in England was largely restricted to London, although the loophole was to call these places “Concerts of Music”, with plays given at intermission free of charge.  These licenses were restricted to 60 day period between June and October.  As a result, for much of the late Georgian/early Regency era, the theatre in Birmingham would have held plays only during the summer months.  This would end in 1807 with the licensing of the Theatre Royal.

The Theatre Royal (pictured and described above), was built in 1774 and had a 2000 seat theatre.  Located on New Street, it suffered fire damage in 1792 and 1820, but would not be demolished until 1956.

c. 1800

In addition to concerts and plays, pantomimes, animal shows, and a variety of other entertainments were on offer at the Theatre Royal.

Here is an announcement published before the reopening post the first fire that gives some more details about the interior and admission prices.

THE THEATRE June 15 1795 We have the satisfaction to announce that our Theatre opens on Monday next and we are happy that we can gratify public curiosity with some description of this splendid edifice erected from the designs of George Sanders Esq Architect of London and under the directions of Mr Norton of the Crescent in this Town Upon entering the House the eye is struck with its capaciousness elegance and richness Its form for the audience part of the Tbeatre is semi circular to the box on either side of the stage which as far as each oxtonde takes the line of a circle reversed Two tier of Sixteen Boxes surround the House they are decorated with many white enamelled Iron Columns representing a Bundle of Reeds the fillet that encircles and binds them and the vases and capitals being richly gilt From above the columns project elegant brackets which suspend the brilliant glass cut chandeliers The colour of the inside of the Boxes is a deop pink the covering of the seats crimson and the cushions apple green The Pit is most ample and commodious and here the spectator sees with perhaps better effect the whole decoration of the House which in executing from the Architect's desigo does so much credit to Mr Dixon He sees as he directs his view the elegant ornaments painted on the parapots in Front of the Boxes the magnificent Ceiling in the form of Fan adorned with antique figures and ornaments corresponding with the decoration of the Boxes and the costly painted Curtain through which appear in an opening 38 feet wide the Stage with the vivid and splendid Scenery of Mosors Greenwood and Dixon the masterly execution
cution of which will we doubt not confirm and if possible increase the celebrity of these eminent Artists The Gallery is perhaps the largest and we may venture to pronounce one of the best in Europe and the public's safety and convenience in coming to and going from the House has been particularly consulted The entrance to Boz Pit and Gallery is from different Streets and there is not what has been so much complained of in other theatres any step or descent whatever in the entry from the street to the Pit Á handsome Saloon receives the company before they go into the Boxes and a communication is made from each lobby to the large ball room in front of the house where refreshments will be provided and whither those Ladies and Gentlemen who may wish to relieve themselves between the acts and the play and entertainment may repair We shall now only add that as the walls of this large fabric which enclose a space in length of one hundred and nine feet and in width of seventy nine have been erected nearly two years nó apprehension of dampness need be entertained and observe that as the Manager seems to vie with the spirit of the Proprietors by bringing to the first provincial Theatre a Company of Performers superior to any that ever yet left the metropolis we hope the exertions that have been made and the great expences incurred for the public's accommodation and amusement will not be unremunerated Indeed we persuade ourselves that when it is considered how many thousands must have been expended in erecting this sumptuous odifice and how large an incomo will be required to support a Company worthy of it the public liberality will not exact that the admission prices here to the Box and Pit should be lower than at other respectable towns in the country At Liverpool Bath Bristol Richmond Margate and Brighton the Box price is four shiúings the Pit two shillings and sixpence and in several of these Theatres when very capital performers appear those prices are raised but here it is respectfully proposed to fix upon them and invariably abide by them The admission to the Gallery will be as usual only a Shilling A Century of Birmingham Life; Or, A Chronicle of Local Events, from 1741 to 1841 (1868)

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