Having just finished my re-read of Emma, one phrase was still ringing in my ear.
Barouche Landau.
Said over and over by Mrs. Augusta Elton, to a comedic degree. And while I know what a barouche is, and what a landau is (see my primer on Regency conveyances here), I had honestly never contemplated a hybrid between the two. I certainly skipped over it at a previous reading of Emma, understanding it was to be a joke, but not bothering to investigate. Now, well, you know I could not resist a research project!
As a reminder, the barouche is: A four-wheeled carriage, with a falling top, a seat on the outside for the driver, and two double seats on the inside arranged so that the sitters on the front seat face those on the back seat. It’s “light construction” and little protection from inclement weather made this a summer carriage. 
And a landau is: Similar to a barouche in that it held four passengers and was pulled by four horses, but a landau was convertible, with two folding hoods that could be raised to cover all four passengers or left open to take in the sights. Light weight, it was suspended on elliptical springs, and pulled by a four horses. There was typically a front, raised driver’s upholstered bench-seat, but a landau could be postilion-driven, and there was usually a separate groom’s seat, sprung above and behind the rear axle, saving the groom from having to stand on a running board.

So both are light vehicles, pulled by four horses, with folding top(s).
Here is an image of a barouche landau:
The Antiquarian. (1930). United States: Antiquarian Publishing Company.
In an exploration and annotation of Jane Austen novels, I found this delightful description:
Austen, J., Chapman, R. W. (1926). The Novels of Jane Austen. United Kingdom: Clarendon Press.
From that description alone, its easy to understand the subtle joke about taste versus garish displays of wealth, for these were not flattering comparisons.
A review of Regency era newspapers shows a glut of them for sale or resale, suggesting they might have been more of a showpiece than a practical conveyance.
Morning Herald (London) – Tuesday 12 August 1806
Judging by the many ads I reviewed, they were commonly that bright yellow colour favoured in the era (read this article to learn more), which was beneficial because I also found evidence they were popular for the four-in-hand:
Lennox, W. P. (1876). Coaching: With Anecdotes of the Road. United Kingdom: Hurst and Blackett.
Here is another source with the famous Mr Buxton:
Lennox, W. P. (1851). Percy Hamilton; Or, The Adventures of a Westminster Boy. United Kingdom: W. Shoberl.
Rather reminds one of a modern luxury car club. Here is more about Buxton and the clubs:
Duke of Beaufort, H. C. F. S. (1889). Driving, by the Duke of Beaufort, with Contributions by Other Authorities. United Kingdom: Longman.
So it clearly was a fashionable carriage, at least for a time, and one Austen would have seen while in London riding around in her brother’s barouche (Hill, C. (1923). Jane Austen: Her Homes & Her Friends. United Kingdom: John Lane.). Or at least read about them in the newspapers.
They were summer carriages, with convertible like tops and some weather proofing but not much, but perfect for a party to be trotted around. And evidently popular with the notable whips of the day, who drove them neck and nothing while also dressed up.
I think Austen intended it to demonstrate Mrs. Elton as a social climber, apeing the fashionable circles, and name dropping everything from her brother in law to the fashionable equippages of family and neighbors. Its doubtless the double sided folding top, coupled with the flat, elongated body that made it look like a fish cart. I am not entirely sure about the comparison to a music caravan, but its clear the thing looked a bit ridiculous to many.
I can think of some modern comparisons, and I am sure you can too!
Learn more:
Episode 108: The Thing About the Barouche-landau
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